Seeane in Movie Ghost Where the Female Police Officers Says She Wont Get Undressed Again
| | This article is missing information well-nigh the film's production. (October 2019) |
| The Wailing | |
|---|---|
 Theatrical release affiche | |
| Hangul | 곡성 |
| Hanja | 哭聲 |
| Revised Romanization | Gokseong |
| McCune–Reischauer | Koksŏng |
| Directed by | Na Hong-jin |
| Written by | Na Hong-jin[1] |
| Produced by |
|
| Starring |
|
| Cinematography | Hong Kyung-pyo[1] |
| Edited by | Kim Sun-min[1] |
| Music by | Jang Young-gyu Dalpalan[ane] |
| Production | Side Mirror |
| Distributed by | 20th Century Fox |
| Release engagement |
|
| Running fourth dimension | 156 minutes[1] |
| Land | Southward Korea[1] |
| Languages | Korean Japanese |
| Budget | The states$8 million |
| Box role | Usa$51.3 million [ii] |
The Wailing (Korean: 곡성 ; Hanja: 哭聲 ; RR: Gokseong ) is a 2016 South Korean horror picture show directed by Na Hong-jin and starring Kwak Exercise-won, Hwang Jung-min, Chun Woo-hee. The film centers on a policeman who investigates a series of mysterious killings and illnesses in a remote Korean village chosen Gokseong in social club to save his girl. The motion picture was both a commercial and critical success.[three] [iv] [5]
Plot [edit]
After a Japanese homo arrives at Gokseong, a small village in the mountains of Republic of korea, a mysterious infection breaks out and causes the villagers to get deranged and violently kill their families.
Ane night at the police station, officers Oh Seong-bok and Jong-goo are discussing the Japanese stranger when a naked woman appears in the pelting. They later discover the woman, infected, was raped by the Japanese stranger and was spotted several times naked in different places, has murdered her family unit. At the crime scene, Jong-goo meets a mysterious immature woman called Moo-myeong ("no name" in Korean), who tells him the Japanese man is a ghost and the culprit. Jong-goo steps exterior to call Oh Seong-bok, and the woman vanishes, and he sees a very scary figure. A local hunter tells them he saw the stranger with glowing crimson optics, eating raw venison in the woods.
Jong-goo has similar dreams about the stranger and decides to investigate with Oh Seong-bok. They enlist the help of Oh Seong-bok'due south nephew, a Japanese-speaking deacon named Yang I-sam. They investigate the stranger'south business firm when he'southward out and find pictures of the murdered villagers and their belongings, equally well every bit a worship room. The stranger's guard dog attacks them and stops when the stranger returns, so Jong-goo and his squad go out. On the style back, Oh Seong-bok shows his partner a shoe that belongs to Jong-goo'south daughter, Hyo-jin. Hyo-jin grows sick, with symptoms similar to those of the other infected. Jong-goo returns to the stranger'southward house, but finds the evidence has been burned. Infuriated, he smashes upwards the worship room, kills the guard domestic dog, and orders the stranger to get out the hamlet.
Jong-goo'south family discovers the encarmine body of a dead caprine animal hanging in front of their front end gate the next mean solar day, and Hyo-jin later stabs and seriously injures a neighbor when the family had gone to treat Jong-goo, leaving her solitary. Distraught about Hyo-jin'due south violent behavior and modify in health, Jong-goo'due south mother-in-law seeks assist from a shaman, Il-gwang. Il-gwang says a wicked spirit has possessed Hyo-jin. His exorcism fails. Later learning Jong-goo disturbed the stranger, who he says is a demon, Il-gwang prepares a death-hex ritual and tells Jong-goo he must not be interrupted. At home, the stranger performs a ritual at the same time to seemingly possess the body of one of the dead victims, Park Choon-bae. Hyo-jin experiences excruciating pain every bit Il-gwang'due south ritual progresses. Jong-goo stops the ritual and takes his girl to the infirmary instead. The stranger pulls himself into bed after his own ritual and sees Moo-myeong outside his house.
The following twenty-four hour period, Jong-goo gathers his companions to hunt downward the stranger. As they search his house, they are attacked by the now reanimated corpse of Park Choon-bae, who injures Yang I-sam and gives the stranger fourth dimension to abscond earlier convulsing and returning to his expressionless state. They pursue the stranger but lose him at a cliff. The stranger, hiding only out of view, sees Moo-myeong staring at him from afar. As the group drives back down the mountain, the stranger lands on the windshield. They dump his body off the cliff as Moo-myeong watches from above. Jong-goo returns to discover Hyo-jin has seemingly improved.
Il-gwang drives to Jong-goo'south, where he encounters Moo-myeong and vomits blood. Il-gwang runs to his room and lights a candle, but it extinguishes and he gets very scared and flees the town and heads to Seoul. However, he then turns dorsum and calls Jong-goo to warn that Moo-myeong is the real demon and the stranger was a shaman trying to stop her, just he doesn't choice up the calls from him. Meanwhile, the wounded Yang I-sam receives news that Oh Seong-bok has killed his family, at the same time that Hyo-jin then disappears. While searching for her, Jong-goo meets Moo-myeong, who claims the stranger is notwithstanding alive and she has set a trap for him, but information technology will fail if Jong-goo goes home before the rooster cries three times, and Hyo-jin will kill anybody. Moo-myeong says Il-gwang is a mere pawn of the existent demon. Confused, Jong-goo asks her if she is a human or a ghost. She gives a ambiguous answer. Jong-goo notices she is wearing the personal items of the victims, including his daughter's hair pin. Assertive this to be proof she is responsible, he dashes home before the third cry of the rooster. The moment he crosses his threshold, the floral trap set by Moo-myeong withers.
Yang I-sam returns to the stranger's business firm with a sickle and a cross. He finds a secret cave nearby and the stranger alive inside. He asks the stranger near his true form and says he thinks the stranger is the devil, but if he's incorrect, he'll get out him in peace. The stranger laughs maniacally and says he is the one who won't let him leave. He photographs Yang I-sam while request why he withal doubts the stranger's identity. As Yang I-sam stands frozen, the stranger changes into a demon and taunts him.
Back home, Jong-goo finds Hyo-jin has brutally murdered their family unit. He tearfully calls out to her, just she doesn't reply. It is implied she ends upwardly attacking him too. Il-gwang arrives and takes photographs of Jong-goo'southward dead family unit as Hyo-jin sits in a trance. Returning to his automobile, he unintentionally drops a box filled with photos of the murdered villagers that the stranger claimed to take burned. As Jong-goo lays dying, devastated by his family unit's decease, he remembers happier times with his daughter and begins to smiling, assuring her that he volition protect her.
Deleted ending [edit]
In a deleted scene happening right after the conclusion of the story, the Japanese homo is seen sitting on a bench by the roadside. He spots a family unit on the other side of the road and invites a kid to him past offering her candies, merely the mom picks upwards the kid before she manages to achieve the stranger. A car driven past Il-gwang arrives and picks upwards the Japanese man before leaving. In the center of the road, Moo-myeong witnesses the car fading away in the horizon.
Bandage [edit]
- Kwak Do-won as Jong-goo, policeman and father of Hyo-Jin.
- Hwang Jung-min every bit Il-gwang, a shaman hired to protect the village.
- Chun Woo-hee equally Moo-myung, the woman in white.
- Jun Kunimura as a Japanese stranger.
- Kim Hwan-hee every bit Hyo-jin, Jong-goo's daughter.
- Her Jin as Jong-goo's mother-in-law.
- Jang So-yeon as Jong-goo'south wife.
- Kim Do-yoon equally Yang I-sam, a Japanese-speaking deacon.
- Son Gang-guk as Oh Seong-bok, Jong-goo's constabulary partner.
- Park Seong-yeon as Kwon Myeong-joo.
- Kil Chang-gyoo as Park Choon-bae
- Jeon Bae-soo every bit Deok-gi.
- Jeong Mi-nam every bit Heung-gook.
- Choi Gwi-hwa as Byeong-gyoo.
- Baek Seung-cheol as Friend.
- Kwon Hyeok-joon as Friend.
- Park Chae-ik every bit Friend.
- Kim Gi-cheon equally Dispatch captain.
- Yoo Soon-woong as Chief of police.
- Jo Han-cheol as Detective 1.
- Kim Song-il as Police.
- Bae Yong-geun as Law.
- Im Jae-il as Police.
- Lee In-cheol as Father.
- Jo Seon-joo as Bar hostess.
- Lee Chang-hoon every bit Doctor.
- Kim Ji-won as Nurse.
Release and reception [edit]
Release [edit]
The Wailing was released in South Korea on May 12, 2016.[6] The flick was shown in the Out of Contest section at the Cannes Moving picture Festival in France on May 18, and was released in the U.s. on May 27.[6] The film was and then released on Netflix at a later engagement, though it has since been taken off the streaming service. The Wailing was released on other streaming services similar Fandango At present, VUDU, Hulu, and Apple tree Goggle box.[7]
Critical response [edit]
The Wailing received widespread disquisitional acclaim. On review aggregator website Rotten Tomatoes, the film has an approval rating of 99% and an average rating of 8/ten, based on 82 critical reviews. The site'due south critics consensus reads, "The Wailing delivers an atmospheric, cleverly synthetic mystery whose supernatural thrills more justify its imposing length."[8] On review aggregator website Metacritic, the picture has a weighted boilerplate score of 81 out of 100 based on 19 critics, indicating "universal acclamation".[9]
Jada Yuan of Vulture.com described the film as "operating on a level that makes near American cinema seem clunky and unimaginative".[10] Anton Bitel of Little White Lies commented "By turns funny and despairing, this village noir brings the horror of uncertainty."[11] Leah Pickett of Chicago Reader stated "the film justifies its epic length, meshing ancient eastward Asian mythology and rituals (village gods, exorcisms by shamans) with more recognizable horror tropes (demonic possession, zombification, the devil represented by a black dog and rams' heads) in a way that feels novel and unpredictable. The actors are uniformly potent..."[12] Phil Hoad of The Guardian wrote "The layers of dissembling and cocky-dissembling pile up so thickly that non but does Na evidently touch on something integral about the nature of evil, but actually seems to be in the process of summoning information technology before your eyes."[13] Financial Times's Nigel Andrews wrote "Very crazy, very Korean, very long: 156 minutes of murder, diabolism, exorcism and things that become bump by day and night".[14] Clark Collins of Amusement Weekly gave the film B+ grade, stating "Despite its epic length, The Wailing never bores as Na slathers his tale with generous supplies of atmosphere and awfulness".[15] Jason Bechervaise of Screen Daily noted "The Wailing is initially fix up as a thriller and the supernatural setting also helps evangelize moments akin to a horror feature, particularly when a strange woman (Chun Woo-hee) first appears. But the film's gradual progression into something more sinister puts a different spin on Na'due south masterful use of pacing".[xvi] Jacob Hall of /Film commented "The Wailing as information technology exists would involve burning the very structure of a traditional western motion-picture show to the ground. Information technology's why the movie is and then bang-up and it'south also why a remake seems so strange".[17]
Deborah Young of The Hollywood Reporter added "As dark and pessimistic every bit the balance of Southward Korean thrill-master Na Hong Jin's work, The Wailing (Goksung, a.k.a. The Strangers in France) is long and involving, permeated by a tense, sickening sense of foreboding, all the same finally registers on a slightly lower key than the director's acclaimed genre films The Chaser (2008) and The Yellowish Bounding main (2010), both of which also got their start in Cannes."[18] Maggie Lee of Variety noted "There's nothing scarier than not knowing what you should be scared of. "The Wailing" erupts with a string of gruesome deaths in an insular hamlet, but the investigation unleashes a greater terror — that of the paranoid imagination."[19] David Ehrlich of IndieWire stated ""The Wailing" boasts all the tenets and tropes of a traditional horror movie, just it doesn't bend them to the same, stifling ends that ascertain Hollywood'south contempo contributions to the genre. The film doesn't utilize sound to telegraph its frights a mile away (there are no jump scares, here... well, maybe one), nor does information technology build its scenes around a unmarried cheap thrill. On the contrary, this is horror filmmaking that'south designed to work on you lot like a virus, slowly incapacitating your defenses and then it tin build up and practise some real damage. There's a looseness hither that's missing from mainstream American horror, a sense that absolutely anything can happen next (and e'er does)."[20] Aja Romano of Vox gave the movie four points out of 5, stating "The Wailing is the most unsettling Korean horror film in years, merely it offers more than chills than answers."[21]
Lincoln Michel of GQ wrote "At merely over two-and-a-half-hours long, The Wailing definitely takes its time, yet you could never depict information technology as a dull burn. This is a horror picture show that jumbles up ghosts, zombies, torso horror, Eastern exorcism, Christian mythology, demonic curses, creepy children, and a lot more into one sustained narrative. This description may make it audio like the movie is a messy mash-upwardly, but director Na Hong-jin ties information technology all together seamlessly. Instead of being a mess, the combination of tropes makes each individual i feel both fresh and terrifying."[22] James Hadfield of The Nippon Times gave the movie four stars out of five, writing ""The Wailing" veers from police drama to ghost story to zombie horror and dorsum again, while tossing a generous helping of shamanism and Christian symbolism into the mix. At times, information technology resembles "The Exorcist" transplanted to the South Korean countryside; at others, it's closer in tone to "Memories of Murder," Bong Joon-ho'due south masterful, ho-hum-called-for serial-killer drama".[23]
Awards and nominations [edit]
| Year | Award | Category | Recipient | Result |
|---|---|---|---|---|
| 2016 | 25th Buil Film Awards | Best Film | The Wailing | Nominated |
| All-time Managing director | Na Hong-jin | Nominated | ||
| Best Actor | Kwak Practise-won | Nominated | ||
| Best Supporting Actor | Hwang Jung-min | Nominated | ||
| Jun Kunimura | Nominated | |||
| Best Supporting Extra | Chun Woo-hee | Nominated | ||
| Best New Actress | Kim Hwan-hee | Nominated | ||
| Best Cinematography | Hong Kyong-pyo | Nominated | ||
| Best Fine art Direction | Lee Hoo-kyeong | Nominated | ||
| Best Music | Jang Young-gyu & Dalpalan | Nominated | ||
| 37th Blue Dragon Picture show Awards | Best Picture | The Wailing | Nominated | |
| Best Director | Na Hong-jin | Won | ||
| All-time Player | Kwak Do-won | Nominated | ||
| Best Supporting Actor | Jun Kunimura | Won | ||
| All-time Supporting Extra | Chun Woo-hee | Nominated | ||
| Best New Actress | Kim Hwan-hee | Nominated | ||
| Popularity Accolade | Jun Kunimura | Won | ||
| Best Screenplay | Na Hong-jin | Nominated | ||
| Best Cinematography | Hong Kyong-pyo | Nominated | ||
| Best Editing | Kim Sun-min | Won | ||
| Best Fine art Direction | Lee Hoo-kyeong | Nominated | ||
| Best Lighting | Kim Chang-ho | Nominated | ||
| Best Music | Jang Yeong-gyoo and Dalpalan | Won | ||
| Bucheon International Fantastic Film Festival | Audience Laurels | The Wailing | Won | |
| Best of Bucheon Honour | Na Hong-jin | Won | ||
| Fantasia International Movie Festival | Prix AQCC | Won | ||
| Audience Award for Best Asian Characteristic | 3rd identify | |||
| 53rd Thousand Bell Awards | Best Film | The Wailing | Nominated | |
| Best Director | Na Hong-jin | Nominated | ||
| All-time Player | Kwak Do-won | Nominated | ||
| Best Supporting Role player | Hwang Jung-min | Nominated | ||
| All-time Supporting Extra | Chun Woo-hee | Nominated | ||
| Best New Actress | Kim Hwan-hee | Won | ||
| Best Cinematography | Hong Kyung-pyo | Won | ||
| Best Recording | Kim Shin-yong | Won | ||
| Best Lightning | Kim Chang-ho | Won | ||
| Best Editing | Kim Sun-min | Won | ||
| 36th Korean Association of Film Critics Awards | Top Films of the Year | The Wailing | Won | |
| Korean Film Thespian'south Association Awards | Peak Director Accolade | Na Hong-jin | Won | |
| Top Star Award | Kwak Do-won | Won | ||
| Korean Film Producers Association Awards | Best Managing director | Na Hong-jin | Won | |
| Best Cinematography | Hong Kyung-pyo | Won | ||
| Best Lighting | Kim Chang-ho | Won | ||
| Phoenix Critics Circle | All-time International Picture show | The Wailing | Nominated | |
| Sitges Film Festival | Focus Asia Award | Na Hong-jin | Won | |
| Best Cinematography | Hong Kyung-pyo | Won | ||
| BloodGuts Britain Horror Awards | Best International Film | The Wailing | Nominated | |
| All-time Director | Na Hong-jin | Nominated | ||
| Best Role player in an International Film | Kwak Exercise-won | Won | ||
| Hwang Jung-min | Nominated | |||
| Best Actress in an International Film | Chun Woo-hee | Nominated | ||
| Molins de Rei Horror Film Festival | Special Mention | Hong Kyung-pyo | Won | |
| Best Moving-picture show | The Wailing | Nominated | ||
| Saskatoon Fantastic Film Festival | Honourable Mention | Won | ||
| CPH:PIX | Politiken'south Audition Honor | Nominated | ||
| 2017 | 11th Asian Film Awards | Best Film | Nominated | |
| Best Director | Na Hong-jin | Won | ||
| Best Supporting Actor | Jun Kunimura | Nominated | ||
| All-time Sound | Kim Dong-han | Nominated | ||
| Key Ohio Picture show Critics Association Awards | All-time Foreign Language Picture show | The Wailing | Nominated | |
| KOFRA Film Awards | All-time Film | Won | ||
| Best Director | Na Hong-jin | Won | ||
| Seattle Film Critics Awards | Best Foreign Language Moving-picture show | The Wailing | Nominated | |
| Korea Cable TV Awards | Cable VOD One thousand Prize (Moving-picture show) | Won | ||
| Fangoria Chainsaw Awards | Best Strange-Language Flick | Nominated | ||
| 53rd Baeksang Arts Awards[24] [25] | Best Flick | Won | ||
| Best Director | Na Hong-jin | Nominated | ||
| Best Thespian | Kwak Practise-won | Nominated | ||
| Best Supporting Actress | Chun Woo-hee | Nominated | ||
| Best New Actress | Kim Hwan-hee | Nominated | ||
| Best Screenplay | Na Hong-jin | Nominated | ||
| 22nd Chunsa Film Awards[26] | Best Director | Won | ||
| All-time Histrion | Kwak Do-won | Nominated | ||
| Best Supporting Histrion | Hwang Jung-min | Nominated | ||
| Best Supporting Extra | Chun Woo-hee | Nominated | ||
| Best Screenplay | Na Hong-jin | Nominated | ||
| Technical Honor | Jang Yeong-gyoo and Dalpalan | Nominated | ||
| Academy of Science Fiction, Fantasy and Horror Films | All-time DVD/Blu-Ray Release | The Wailing | Nominated | |
| iHorror Awards | Best Foreign Horror | Nominated |
References [edit]
- ^ a b c d e f g Lee, Maggie (May xix, 2016). "Cannes Moving picture Review: 'The Wailing'". Variety . Retrieved July 31, 2016.
- ^ "Goksung (2016)". The Numbers. October 21, 2016. Retrieved July 31, 2016.
- ^ Hughes, David (21 Nov 2016). "The Wailing". Empire . Retrieved xx December 2019.
- ^ Abrams, Simon. "The Wailing moving-picture show review & film summary (2016) | Roger Ebert". rogerebert.com . Retrieved 20 Dec 2019.
- ^ "The Wailing (2016)". Letterboxed . Retrieved twenty Dec 2019.
- ^ a b McNary, Dave. "The Wailing". Variety . Retrieved 21 December 2016.
- ^ The Wailing (2016) , retrieved 2021-05-xi
- ^ "The Wailing (Goksung) (2016)". Rotten Tomatoes. Fandango. Retrieved March 22, 2020.
- ^ "The Wailing Reviews". Metacritic. CBS Interactive. Retrieved 2016-07-fourteen .
- ^ Jada Yuan (2016-05-26). "No Chicken Is Safe in the Insane Korean Occult Murder Mystery The Wailing". Vulture . Retrieved 2016-07-fourteen .
- ^ Bitel, Anton. "The Wailing - review". Petty White Lies . Retrieved 20 December 2019.
- ^ Pickett, Leah. "The Wailing". Chicago Reader . Retrieved 20 December 2019.
- ^ Hoad, Phil (24 November 2016). "The Wailing review – Korean horror picture show takes fear to the brink of an completeness". The Guardian . Retrieved 20 December 2019.
- ^ Andrews, Nigel. "Film review: Creepy/The Wailing — 'Something nasty'". Financial Times . Retrieved twenty Dec 2019.
- ^ Collins, Clark (three June 2016). "'The Wailing': EW review". Entertainment Weekly . Retrieved 20 Dec 2019.
- ^ Bechervaise, Jason (13 May 2016). "'The Wailing': Cannes Review". Screen Daily . Retrieved 20 December 2019.
- ^ Hall, Jacob (20 Jan 2017). "The Wailing Remake Possibly on the Style". /Film. Retrieved xx December 2019.
- ^ Young, Debora (eighteen May 2016). "'The Wailing' ('Goksung'): Cannes Review". The Hollywood Reporter . Retrieved 20 December 2019.
- ^ Lee, Maggie (19 May 2016). "Cannes Pic Review: 'The Wailing'". Multifariousness . Retrieved 20 December 2019.
- ^ Ehrlich, David (23 May 2016). "Cannes Review: 'The Wailing' Is An Epic Korean Horror Movie Too Crazy For Its Own Good". IndieWire. Retrieved 20 December 2019.
- ^ Romano, Aja (11 June 2016). "The Wailing is a securely unsettling horror motion picture, but information technology offers more chills than answers". Vocalisation . Retrieved 20 December 2019.
- ^ Michel, Lincoln (October 6, 2018). "This Is the Spookiest Movie on Netflix". GQ . Retrieved 20 Dec 2019.
- ^ Hadfield, James (8 March 2017). "'The Wailing': Spine-chilling in every possible manner". The Nihon Times . Retrieved xx December 2019.
- ^ "공유·박보검·남궁민·한석규…백상예술대상 男TV연기상 4파전". Star.mk.co. 7 April 2017.
- ^ "'Guardian,' 'The Handmaiden' win big at Baeksang Awards". Korea Herald. 4 May 2017.
- ^ "'2017 춘사영화상' 나홍진, 최우수감독상…하정우·손예진 남녀주연상". SE Daily. 25 May 2017.
External links [edit]
- The Wailing at AllMovie
- The Wailing at IMDb
- The Wailing at Rotten Tomatoes
- The Wailing at Box Office Mojo
colemanshishempeon82.blogspot.com
Source: https://en.wikipedia.org/wiki/The_Wailing_%28film%29
0 Response to "Seeane in Movie Ghost Where the Female Police Officers Says She Wont Get Undressed Again"
Post a Comment